Tuesday, September 27, 2011

an offering

In the waning hours of this new moon in Libra on September twenty-seventh in the year two-thousand-and-eleven, it is just the right time to give a small offering       to my mother      
in hopes that she may have an easy transition to whatever sphere lies out there for her
                         
                             ....in my dreams she has settled in a bit into the notion of navigating this new realm         her hair has come back and her presence is lighter, easier, ghostly but peaceful          she's even begun to hang a few of my paintings around her space-

 

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I perform this offering in part because I am just learning that it is tradition in Hindu culture on this very day to offer up something in honor of ancestors-past in hopes, neigh belief, that this offering will ease these ancestors' transitions to heaven from the Pitru-loka, the realm between heaven and earth                                          The Pitru Paksha  (fortnight of the ancestors), as this period is called, is an important 16-day lunar period when Hindus pay homage to their ancestors with [food] offerings (for in this in-between realm, they need nourishment too). The final day, today,....Sarvapitri amavasya ("all ancestors' new moon day") is intended for all ancestors, irrespective of the lunar day they died. It is oft considered the most important day of the Pitru Paksha.
So, tonight as I retire I would like to make an offering to my mother      twofold-               the completed last collaborative painting, titled and conceptualized by her experience, materialized by my hand
'deconstruction' ( April)

and a poem that makes me think of her, for her love of swans             and bids her an easy fall into the water, current, to where she will go                       
the Swan by Rilke


This laboring through what is still undone,
as though, legs bound, we hobbled along the way
is like the awkward walking of the swan.

And dying- to let go, no longer feel 
the solid ground we stand on every day-
is like her anxious letting herself fall

into the water, which receives her gently
and which, as though with reverence and joy,
draws back past her in streams on either side;
while infinitely silent and aware,
 in her full majesty and ever more
indifferent, she condescends to glide.
_________

Wednesday, September 21, 2011

Homing* for the soul/ Feats of strength part 1

There is a chapter in Women Who Run with the Wolves, one of my most treasured books, addressing the need of the soul to return home.  I have always, and probably will always, be intrigued by the notion of "home", including the idea(s) that it is not a physical place (though it can be) and it most likely also is not one's literal home of house or town or family unit or general place of upbringing (though I suppose it can be).    The latter attribute is becoming ever more important, with the loss of my go-to 'notions of home', since my mother died in May.  Already emptied of its contents, soon her house will be sold-  the one I grew up in-  and with it all purpose for going back to the east coast- to that 'hometown'-  will be gone too.  Periodically I wonder, what will going "home for the holidays" mean for my brother and I now?

This chapter in WWRwtW addresses just that: the need for the 'home of the soul'.  It is told through the archetype of the seal-woman who marries a land-bound human, yet whose soul ultimately needs to return to its home in the sea.  Ironically, skimming through the book on Monday night inside my tent in the woods with a view of the sea, this is the chapter I stopped on, or some might say, it stopped there for me.
Let's just say it was timely.

What I have begun to acknowledge, and to honor, over the past few years is that my soul's home is in nature.  More specifically it is in the woods.  My soul needs the trees around, the variations on 'green' (I have even had a dream entirely in shades of green, but that is for another post), the myriad of mosses and leaves, and glimpses at wildlife existing undisturbed, or as it should.
After two prior but failed attempts to take myself on an overnight walkabout through the woods of Ecola State Park alone, my soul's urging this time was persistent, determined.  I have had some fear surrounding the idea of backpacking and camping alone and had managed to quell my soul's urging with a day in the nearby park, a few hours at the beach, or by packing in all my time in nature in to my three weeks in Alaska, where companions for overnight trips abound.  Not to mention, egoical, societal excuses are easy to come by to justify why not to go...
Mine sound like-
...But I have phone calls to make and errands to run and my day off is the day to do them
...ugh, the gas money!
...I'm tired- I want to sleep- I am not motivated enough to pack my gear or plan a trip or get in the car or....
...I could spend the whole day at my studio-   and then the whole day gets whittled down to an afternoon spent staring and fussing and not creating much at all.

Even the soul has limits.  Intuition knows when the time is dire. Clarissa Estes in the book encourages : "...be brief but potent....[say] 'I am going'.  These are the best words ever.  Say them. Then go."

So, I performed my most daunting feat of strength this week- backpacking alone.  I went into the woods, pitched my tent, prepared my dinner and sat with myself and a deluge of stars and the sound of the waves crashing and the chill of the fall air. Alone.  Al-one.  All one.  Then I woke up and hiked and observed and talked to wildlife, and breathed deeply and filled my creative well in my soul-home. All alone.


My textural impressions, my color palette inspirations, my well-filling bits:
 
 
 
 
 


And with the recent experience of going into the woods with ecologists, I found I was able, still, to see the forest with new eyes and insights.  I know now why some trees do this:




or this:


or this:

Estes says "solitude is not an absence of energy or action...but is rather a boon of wild provisions transmitted to us from the soul.  In ancient times...purposeful solitude was both palliative and preventative.  It was used to heal fatigue and prevent weariness.  It was also used as an oracle, as a way of listening to the inner self to solicit advice and guidance otherwise impossible to hear in the din of daily life".

So, the best advice I can give, and abide by, is that when at once you are world-weary, take your soul home...and go alone.  Perform a feat of strength.



[* silly-anecdotal-human-moment:  for about 29 years I thought the word was 'honing', as in to hone in on something'.  I always had this visual of the infamous pigeon, I now know to be called the HOME-ing pigeon, as a television cartoon, dive-bombing a particular site      HONING in on it, and taking it out    that being its sole job                ...turns out its actual purpose was just to return home.... to be able to 'remember the way home' over long distances.  I get that now.  My own Oprah-esque "a ha! moment"           sometimes the obvious escapes me         but not forever!     wouldn't mom be proud...]

Friday, September 16, 2011

recluse

...man, I feel like this post has been ' a long time coming'.  I just couldn't nurture the seedling,  nor tame the beast    for weeks       I couldn't focus, couldn't rein it in         I couldn't find the words or topic that seemed even remotely relevant or valuable.  I didn't want to just drop another promo ¡BLAM! for another art show opening...(which is THIS WEEKEND at People's Art of Portland at Pioneer Place Mall.  The totems will be there people! TOTEMS.).

For a while that's all I could muster though         Bare bones, basics.  Straight facts               So I remained recluse.



What I am saying here, now, after two weeks of stewing, is mainly my admission of just that. I have been stewing in the throes of grief- solitary, paper-thin, teary-eyed and emotional          Ungrounded.   To say the least           Tethered to the world that exists by just a mere- but sturdy- thread....it must have been silk.

For, the storm has passed for now, for the moment, and I am here to re-emerge intact.

When I withdraw this far into my turtle shell of loss and grieving over my dear mom, I don't often create visually     My focus just isn't there       It seems meaningless or trite or pointless then-                   So  instead I take to constructing poems from a pile of sentence fragments, phrases, and words lain out before me.   Its a psyche check-in, I like to think.  If you "follow" me, you know the drill...

There's a series developing- aptly called "grief: part _____"

                        and they go like this:

grief: part one, 6/28/2011







grief: part two, 7/12/2011







grief: part three, 9/8/2011


In the midst of my floating, hanging by that paradoxically strong single thread,

I worked on the tiniest paintings








(each roughly 1 1/2" x 2 1/4" on wood scrap)

I made some new works, and managed to put them on my website

                     and

I have been inspired by these new-found blogs/artists:
...for totems I dig the Village Dog
...which directed me to the work of Gala Bent and her blog called drifts and scatters (how fun!)
...and this work of Gordon Cheung's ....

....and do you know about Amargosa?  There's a fabulous documentary to do justice to the tale of lovely Marta Becket, a total inspiration for the way to shape one's artist-life.  I cheers to that      ...and to the grace and commitment to know when to bow out, and when to drive hard, re-emerge.